![]() Inventive and thrilling, Flanagan makes the most of the film’s confined setting and constantly surprises.Ī big ol’ ham sandwich of dumb fun that throws John Cusack, Ray Liotta, Rebecca MeMornay and more terrific character actors into a motel housing a serial killer and lets the thrills ensue. Ingeniously structured through time-skipping flashbacks alongside a linear present-day narrative, it let director Vince Gilligan flex his visual chops, and get poetically existential along the way.Īt times Mike Flanagan’s Stephen King adaptation is tough stuff, with Carla Gugino finding herself handcuffed to a bed after some foreplay-gone-wrong-having only a corpse and increasingly aggro dog for company. Definitely interesting to view in hindsight and compare to real events, it’s also another cracking ensemble piece from Steven Soderbergh, following Matt Damon, Jude Law, Kate Winslet and a truckload more big names as they attempt to quell the chaos.Ī rewatch of the feature-length Breaking Bad epilogue confirms it more than justifies its existence, both as a touching (and overdue) sendoff for Aaron Paul’s Jesse Pinkman, and a new story of retribution that leans into the Western tropes BB often flirted with. The streaming figures on this 2011 film about a global pandemic that sends the world into despair shot up in 2020, for reasons I’m sure you can deduce. ![]() In 2017 he re-teamed with Liam Neeson for this train-bound brawler-undoubtedly nonsense, but damn entertaining. It was frequently affixed to Jaume Collet-Serra, particularly in conjunction with his films Orphan and Non-Stop, two great examples of boneheaded brilliance (the less said about his latest, Black Adam, the better). In the early 2010s the term “vulgar auteurism” was thrown around a lot to describe directors who made…well, trash, but did it with impressive formal chops. ![]() The script by Andrew Kevin Walker ( Se7en) is a reasonably straight ahead procedural, albeit one that gets pretty bleak by the end-as does an increasingly disturbed Cage. This one gets pretty nasty, as Nic Cage investigates the grotty world of snuff movies, coming up against a sprightly Joaquin Phoenix, as well as James Gandolfini and Peter Stomare along the way.
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